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Headline Roundup January 19th, 2020

National Archives Apologizes After Blurring Anti-Trump Photo

Summary from the AllSides News Team

The National Archives, the independent federal agency charged with preserving and documenting historical government records, has apologized for selectively altering a women's suffrage exhibit photo to remove messages critical of President Donald Trump. According to a comparison by the Washington Post, the original Getty Images photo featured participants of the 2017 Women's March carrying signs emblazoned with anti-Trump slogans; in the edited version, some of those slogans are blurred out. On Saturday, the agency said it had "made a mistake" by doctoring the photo and would review its exhibit policies and procedures.

Featured Coverage of this Story

National Archives apologizes for blurring anti-Trump signs in Women's March photo: 'We made a mistake'
National Archives apologizes for blurring anti-Trump signs in Women's March photo: 'We made a mistake'

Fox News Digital

News

The National Archives on Saturday apologized for blurring out signs in a photograph of the 2017 Women’s March in Washington, D.C., showcased at the museum -- saying it would review policies and replace the image.

“We made a mistake,” it said in a statement.

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National Archives apologizes for blurring picture of anti-Trump Women's March signs
News

The National Archives, which contains some of the country's founding documents like the Declaration of Independence and the Constitution, apologized for blurring parts of an image from the 2017 Women's March critical of President Donald Trump.

"We apologize, and will immediately start a thorough review of our exhibit policies and procedures so that this does not happen again," the National Archives Twitter account wrote.

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The Erasure of Political History at the National Archives
The Erasure of Political History at the National Archives

The New Yorker

Analysis

Last month, a photographer named Ellen Shub died, near Boston, at the age of seventy-three. I had got to know Shub in the nineteen-eighties, when I worked for gay and lesbian publications. At that time, she was already well known as a chronicler of social protest—a role that she continued to perform up until she unexpectedly fell ill, just weeks before she died. Many of her pictures were compositionally similar—frontal, focussed on one person and one sign. In 1975, she took a picture of a woman holding a placard that...

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