Genius is often defined in myriad ways. One trusted criterion is the ability to do something extraordinary in a field where others could not — and doing something that perhaps will never be done again by anyone else.
By that measure, Rush Limbaugh certainly is the genius of talk radio, a genre in which he not merely excelled but that he also singlehandedly reinvented as something entirely different — and entirely more powerful and instrumental in American life — from what was imaginable pre-Limbaugh.
Even stranger still, his ascendance coincided with the presumed nadir of radio itself. It was supposedly a has-been, one-dimensional medium, long overshadowed by television. Even in the late 1980s, radio was about to be sentenced as obsolete in the ascendant cyber age of what would become Internet blogs, podcasts, streaming, and smartphone television.
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